Monday, April 24, 2023

Astrophoto Trial and Error

Slowly Learning

Evening skies remained beautifully clear following my afternoon solar imaging session on April 12th. After sunset observing conditions were ideal with low humidity, no dew, no wind, no moonlight, and temperatures in the 60's! I set up my 130 mm Stellarvue refractor and Nikon Z6 2 camera for another attempt at astrophotography. As twilight faded I took a quick 2-second exposure of Venus near the Pleiades with the Nikon mounted on a fixed tripod. ISO was set at 1600 and the f/2.8, 24-70 mm lens was set to 70 mm. Venus was closer to the Pleiades a few days earlier, but this pairing was still nice.

With the camera on the telescope I captured dark frames and flat fields in order to improve image quality. Dark frames are easy to get - just cover the telescope aperture with a lens cap and capture what the camera records when no light falls on the detector. Ideally, when no light falls on the detector, it should record zero for every pixel across the field of view. A real detector, however, does not read zero across the field. If the dark frame has the same exposure time as an actual image of a celestial object, then the non-zero dark frame detector response can be subtracted from the image to leave a result not degraded by false signal.

A flat field image is the image of a uniform light source across the field of view. Ideally, the camera detector should record an image of a uniform light source that is absolutely uniform across the field of view. Unfortunately, a real camera's response will not be absolutely uniform because pixels vary somewhat in sensitivity, or because some dust or dirt on the detector blocks pixels, or because the optical system doesn't produce uniform light across the detector. My Nikon exhibits significant vignetting - images are brighter in the center and darker at the edges. So I need to record a flat field image to correct real images from non-uniform detector response. 

Producing a uniform light source for the telescope in my backyard is inconvenient. For this session I covered the telescope aperture with either a single sheet of white paper, or a white cloth. I then illuminated the paper or cloth with an LED light held at some distance. This method was partially successful, a definite improvement over no flats at all, but it wasn't perfect. I still had to sacrifice dim image detail in order to make sky background uniformly dark.

Here are some results from April 12th. First is an image of the edge-on galaxy NGC 4565 in the constellation Coma Berenices made by stacking eighteen, 10-second exposures with ISO set at 6400.

Click on this image to view it at full size and notice the small smudge below galaxy 4565 at the end of a curved string of 5 stars. This smudge is spiral galaxy NGC 4562. If you look closely at the full size image, you might just make out a tiny grey fuzzy object about half of 4565's width distant on the left side of 4565. This is a 14.6 magnitude spiral galaxy, IC3546.

NGC 2903, a barred spiral galaxy in Leo, is shown in the next image made by stacking nine, 15-second exposures at ISO 25600. Once again, the full-sized image shows the most detail and reveals the bar and some spiral structure.

Also in the constellation Leo, a trio of galaxies fit nicely in the camera's 2.3 X 1.53 degree field of view. The next image was made by stacking eight, 15-second exposures at ISO 25600. From top to bottom the "Leo 3" consists of galaxies M65, M66, and edge-on galaxy NGC 3628. This image is a significant improvement over my previous attempt on March 4th. The longer exposure time and darker moonless sky made a big difference. Some details of galaxy structure are visible when viewed at 100 percent.

The next picture is the Whirlpool Galaxy M51 in the constellation Canes Venatici made by stacking eight, 15-second exposures at ISO 25600.

The four previous galaxy pictures were made without a Barlow lens. All of them beg for greater magnification and longer exposures. The image scale is also too small to display the full amount of fine detail present in the best images of these galaxies. Nevertheless, I was pleased with the improved image quality compared with my last attempt on March 4th!

Another magnificent clear, mild, moonless night occurred on April 18th. On the 18th I tried three new things. First, I lowered ISO setting to 1600 to see if image noise could be reduced. Second, I increased exposure times. Third, I tried a few images with a 2X Barlow lens.

The next two images are the galaxy pair M81 and M82 in Ursa Major. The first image, from April 12th, was made by stacking twenty, 8-second exposures at ISO 12800. The second image, from April 18th, was made by stacking twenty, 30-second exposures at ISO 1600.

There doesn't seem to be much difference between the two previous images. The longer exposure at lower ISO in the bottom image didn't reveal more detail. Perhaps a longer exposure at higher ISO would have revealed more.

What about higher magnification? The next two images of globular cluster M13 in the constellation Hercules show the effect of adding a 2X Barlow lens. The first picture, from April 12th, was made with no Barlow by stacking nine, 15-second exposures at ISO 6400. The second picture, from April 18th, was made with a 2X Barlow by stacking twenty, 30-second exposures at ISO 1600.

The second magnified M13 image does show more stars and begins to display some orange/yellow color of older stars. There's not enough magnification to resolve individual stars in the cluster's center, however. I'd like to try longer exposure time on this in the future.

Finally, galaxy M108 and planetary nebula M97 in Ursa Major are close enough to form a beautiful pair in my camera's field of view. The next image was constructed with no Barlow lens from twenty, 30-second exposures with ISO at 1600. The colors of planetary nebula M97 show up well, but the galaxy lacks detail. These objects deserve more magnification.

I installed a 2X Barlow lens and took another twenty, 30-second exposures at ISO 1600 to get a magnified view. Unfortunately, as the next image shows, the result is dimmer because object brightness was spread over a larger area.

Once again, I'd like to return to this pair and double or triple exposure time.

It looks like on a given night I'll have to limit the number of different objects I photograph to spend more time exposing a selected few. Unfortunately, there's no way to avoid an intense, glaring light shining directly on my observing site from a neighbor's window. This light will sometimes get turned off after midnight, but often it's left on all night long! Anyway, it will be at least another few weeks with clouds and moonlight before conditions will allow another astrophotography attempt.


 

 

Monday, April 17, 2023

Scattered Sunspots

Nice Prominences

It took two months for a dominant high pressure system to arrive and clear away persistent daily clouds. On April 12th only thin haziness kept skies from being completely clear. I set up my solar telescope in late afternoon and didn't begin imaging until 3:22 pm (EDT). Morning is usually preferable for solar imaging. I worried about bad seeing, but seeing was reasonably good. It was lovely to bid chilly winter goodbye and enjoy working in temperatures ranging from 78 to 81 degrees with hardly any wind.

No large sunspot umbras were present, but lots of smaller ones were scattered among stringy filaments as you can see in the following 20-panel mosaic processed to show disc detail. Each individual panel is a stack of 400 video frames from a 4,000-frame video.

The most interesting features are active area 3272 just below center and active area 3276 rotating into view near the solar limb on the left.

The next image is a close view of 3272 showing a complex arrangement of tiny umbras set among white energetic emissions. These show up nicely when the picture is viewed at full size. Our view from Earth looked down from above on a beautiful example of dark magnetic arches to the upper right of the umbra region.

The eruptive nature of active area 3276 is seen in profile near the eastern limb in the next two images.

A good variety of prominences were spread around the limb as you can see in the next 18-panel mosaic processed to enhance limb features. (Consequently, the disc is overexposed.)

The next two images show enlarged portions of the most interesting limb sections.

Haze was forecast to disappear later on the evening of April 12th. I took down the solar telescope and mounted my 130 mm refractor for possible night observing. The nighttime session will be the topic for my next blog post.

Saturday, April 8, 2023

Pleiades/Moon Conjuction

Quick Photo

Cloud cover forecasts at my location are often inaccurate. When I glanced outside on March 25 after sunset it was unexpectedly clear with a crescent Moon above the western horizon. Clear skies don't last long these days, so I hurried to set my camera on a tripod. I took several quick exposures to see if I could capture earthshine on the Moon. The following image is the best of the bunch.

It turns out the Moon was passing close to the Pleiades cluster! Of course, I should have known this and set up a telescope in advance to get a much better picture, but I expected cloudy skies.

The lunar crescent is overexposed and the Pleiades are underexposed. A longer exposure to brighten the Pleiades would make the crescent even more saturated. Now I'm curious to see how well my 130 mm refractor would render a scene like this at higher magnification.

The image above is cropped from a 2.5-second exposure with a Nikon Z6 2 camera. The lens was set at 40 mm, f/2.8, and ISO was 100. 

People say I'm crazy doing what I'm doing
Well they give me all kinds of warnings to save me from ruin
When I say that I'm o.k. well they look at me kind of strange
Surely you're not happy now you no longer play the game

People say I'm lazy dreaming my life away
Well they give me all kinds of advice designed to enlighten me
When I tell them that I'm doing fine watching shadows on the wall
Don't you miss the big time boy you're no longer on the ball

I'm just sitting here watching the wheels go round and round
I really love to watch them roll
No longer riding on the merry-go-round
I just had to let it go

John Lennon